Introducing Sentence:"'Underground' is an inner condition" by the author himself. Best Viewed Listening at: Autechre - Arch Carrier
TECHNICAL INFORMATIONS
Category: Photography (manipulated on tones) Original Image Size: 63.3cm x 30.4cm (about 25.0in x 12.0in)
BRIEF BACKGROUND
This is one wagon of A-Line underground of Rome, it's never so easy to find it empty, but i was lucky. My relationship with it is weird, i hate and i love it, but i think it's one of the highest points of the technological revolution. Tones were enhanced to enhance the feeling.
Aw drat, I wish I could view it all at once in a bigger size than the little thumbnail without bringing it into an image editor. The big version is simply too wide for that.
That said, the colors and mood are very powerful and create a great atmosphere, making one feel as if partaking in the situation.
However, I am left wondering what is the focal point of this image. Compositionally it would be the far door, because everything points in its direction. However, the door lacks any real points of interest. It is closed, it is the same color as the far wall, it doesn't even have an exciting doorknob. Have you considered opening it (via photomanip) and placing a figure or some speck of light there? Actually, how about putting a figure like in your series 'Bodies of Light' in it? I believe that putting the rather surreal being of that type in a somewhat mundane yet mysterious setting would bring the picture a new level of interest, making one wonder how it was really made and what is happening. Just a suggestion.
1500px wide image
i'm sure it's not too big, c'mon, if you don't have a 800x600 screen resolution
the focal point is the thing "reflecting beyond the door". I like closed doors, they make you ask about beyond. The body of light, this time, was taking the shot
--
i'm ME and... i'm quite sure you won't dare clicking [here] or [here] or [here] yeah, i know i was right.
My resolution is 1280x1024, and that's a fairly 'normal' one. Asking to go beyond that to get a good view of a picture isn't a good idea. Since your art is going to be viewed on monitors, you oughta consider a bit the 'average monitor' out there. I hate that myself, because it limits the amount of detail I can show at once, but that's how things are. Having to scroll around to catch compositional elements is kinda annoying.
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Comments
nice depth!
--
i'm ME and...
i'm quite sure you won't dare clicking
[here] or [here] or [here]
yeah, i know i was right.
e pensare che ci viaggio tutti i giorni
--
i'm ME and...
i'm quite sure you won't dare clicking
[here] or [here] or [here]
yeah, i know i was right.
--
\/\/\/\/\/\/E2GFX\/\/\/\/\/\/
[link]
That said, the colors and mood are very powerful and create a great atmosphere, making one feel as if partaking in the situation.
However, I am left wondering what is the focal point of this image. Compositionally it would be the far door, because everything points in its direction. However, the door lacks any real points of interest. It is closed, it is the same color as the far wall, it doesn't even have an exciting doorknob. Have you considered opening it (via photomanip) and placing a figure or some speck of light there? Actually, how about putting a figure like in your series 'Bodies of Light' in it? I believe that putting the rather surreal being of that type in a somewhat mundane yet mysterious setting would bring the picture a new level of interest, making one wonder how it was really made and what is happening. Just a suggestion.
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I bite! o,,o
i'm sure it's not too big, c'mon, if you don't have a 800x600 screen resolution
the focal point is the thing "reflecting beyond the door". I like closed doors, they make you ask about beyond. The body of light, this time, was taking the shot
--
i'm ME and...
i'm quite sure you won't dare clicking
[here] or [here] or [here]
yeah, i know i was right.
--
I bite! o,,o
--
Silvia La Strega
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